Studios

| Modeling | Texturing | Lookdev | Layout | Environment | Lighting | Rendering |
Unannounced project - S.01 ( Series )
Unannounced project ( Film ) - CG Lead
Unannounced project ( Film )
Unannounced project ( Film )
Unannounced project ( Film )
No Doubt - Las Vegas Sphere ( Live Show Visuals )

| Software |
Maya - Houdini - Substance Painter - V-Ray - ZBrush

Review and evaluate submissions from emerging artists and students in digital art, animation, and visual effects. Provide professional insight to help recognize outstanding work and support the next generation of talent entering the industry

| CG Supervisor |

CG Supervisor at Azza Prod, working primarily on commercial projects
I oversee the full CG pipeline from project setup to final delivery, ensuring quality, consistency, and efficiency across all shows

I define and maintain production workflows and pipelines, adapting them to project constraints and timelines
I am responsible for team organization, artist supervision, and daily production management
I handle recruitment and team building based on project needs
I coordinate schedules, priorities, and deliveries to meet both creative and technical expectations
I supervise all CG aspects of the projects, acting as the main point of decision for technical and artistic matters

Hands on supervision with a strong focus on problem solving, clarity, and reliable delivery

| Houdini | Karma | USD | Maya | Substance Painter | Coding | Pipeline | ZBrush | SpeedTree |

| CG Generalist | Texturing | Lookdev | Environment |

Unannounced Project ( Commercial )

| Software |
Houdini - Substance Painter - Karma - USD

| Lead | CG Generalist | Modeling | Texturing | Lookdev | Environment |
Lenovo Tech World @ CES ( Commercial )

| Software |
Maya - Houdini - Substance Painter - V-Ray

Provided strategic guidance during the development phase
Advised on production workflow and assisted with artistic recruitment
NBA - Dallas Mavericks 2025-2026 Arena Intro Video ( Advertising )

| Modeling | Texturing | Lookdev | Environment |
Fallout S.02 ( Series )

| Character | Modeler | Rig | Sculptor |
Esports World Cup 2025 ( Commercial )
FIGMA ( Commercial )
Unannounced Project ( Series )
Iv3rson ( Docuseries )

| Software |
Maya - ZBrush - Houdini - Substance Painter

| Modeling | Texturing | Lookdev | Vegetation |
The Buccaneers S.02 ( Series )

| Software |
Maya - Houdini - Substance Painter - SpeedTree

Invited speaker at Heroes Film Festival Rome, delivering an industry-focused masterclass on the evolving role of 3D artists in modern filmmaking
Explored the diverse landscape of 3D artistry across the production pipeline, from pre-production to post-production, covering both visible and invisible CGI applications. Shared insights on career opportunities and industry segments, highlighting how 3D artists contribute to storytelling through various techniques - from obvious visual effects to subtle, invisible enhancements that seamlessly integrate into films

| Speaker | Guest Speaker | English | Communication | Masterclass |

| Environment | Modeling |
NBA - Jingle Hoops ( Commercial )

| Software |
Maya - ZBrush - Houdini

| Modeler | Layout | Environment | Texture | Lookdev | TD | Vegetation | Lighting | Concept Art |
Silo S.02
Foundation S.03
Unannounced Project - Film
Unannounced Project S.01
Unannounced Project - Film

- - - - -

| Software |
Maya - ZBrush - Houdini - SpeedTree - Substance Painter - R3DS Wrap - Mel - Vex - Python

- - - - -

| Modeler | 3D Artist | Environment | Trees | Foliage | Layout | Vegetation | Texture | Lookdev | TD |

I serve as a Modeler consultant, advising on the technical and artistic aspects of each student's final graduation project in the Modeling department for their master's degree. We meticulously review and strategize for each project, addressing goals collaboratively. Also, if specific tools are required, discussions are started with the R&D/pipeline department for their development

I teach fourth-year students and help them prepare for their graduation films, developing their modeling skills
My goal is to prepare the students for the industry. Giving them all the tools needed

Clash of Clans ( Mobile Game Assets )
Sniper Ghost Warrior : Contracts 2 ( Video Game )

| Modeler | Texturing | Lookdev |
On Running ( Advertising )

- - - - -
| Software |
Maya - Houdini - Substance Painter - Arnold - Mel - Vex - Python
- - - - -
Commercial Advertising

| CG Lead | Modeler | Environment |
Fast X ( Film )

| Modeler | Environment | Texture | Lookdev |
Bob Marley: One Love ( Film )

| Modeler | Vegetation |
Constellation S.01 ( Series )

| Modeler | Environment | Texture | Lookdev |
The Acolyte S.01 ( Series )
Nautilus S.01 ( Series )
Silo ( Series )

- - - - -

| Software |
Maya - ZBrush - Houdini - SpeedTree - Substance Painter - R3DS Wrap - Mel - Vex - Python

- - - - -

| Modeler | 3D Artist | Environment | Trees | Foliage | Layout | Vegetation | Texture | Lookdev | TD |

| Modeler | Texture | Lookdev | Surfacing |

The Boys S.03 ( Series )

- - - - -

| Software |
Maya - ZBrush - Substance Painter - Mari

| Modeler |
Thor : Love and Thunder ( Film )
The Little Mermaid ( Film )
Beast ( Film )
Queen Elizabeth and Paddington Bear ( ShortFilm ) ( Won the Best Memorable Moment of 2023 - BAFTA Awards )
Flite ( Animated ShortFilm - Unreal Engine )

| Modeler | Environment |
Moon Knight S.01 ( Series )

| Previz | Modeler | Environment |

The Last of Us S.01 ( Series - Unreal Engine )
Guardians of the Galaxy Vol. 3 ( Film )

- - - - -

| Software |
Maya - ZBrush - Houdini - SpeedTree - Photoshop

- - - - -

| Modeler | 3D Artist | Environment | HardSurface | Vehicle | Weapon | Foliage | VFX | CG | Vegetation |

I was the Modeling Director for the Lifeform project
Lifeform's vision is to make it possible to bring the next billion users to join the web3 revolution

I had to ensure all delivered pieces maintained the group’s rigorous technical standards and assisted with the creative vision by directing the artists' work, technical skills, organization and communication
I had to manage the team and assign tasks/bids
I worked closely with the project lead, keeping the discussion open to improve our workflow

I brought my modeling skills to teach them if it was needed at some point. Helped the team solve the modeling issues according to the project constraints

Binance Labs supported the Lifeform project

https://lifeform.cc/

https://www.binance.com/en/blog/ecosystem/binance-labs-leads-a-funding-round-for-lifeform-to-support-web3-digital-citizenship-734476354445105250

| Modeler | Texturing | Surfacing | Lookdev |

Cancelled Project
I modeled, Textured and made the Lookdev of 8 stylized vehicles for an Animation project

- - - - -

| Software |
Maya - Substance Painter - Photoshop

- - - - -

| Modeler | Modeling | HardSurface | Vehicle |

| Modeler |

My Dad the Bounty Hunter S.01 ( Animated series )

I worked in the Environment team under Carlos Perona's Supervision

- - - - -

| Software |
Maya

- - - - -

| Modeler | 3D Artist | Environment | HardSurface |

| Modeler Hard Surface | Texture Artist | Lighting | Look development |

I Modeled ( Modeling and Retopology from 3D CAD ) and Textured photoreal props with Blender and Gimp software in collaboration with the team. I brought my technical approach, knowledge, and abilities to solve creative problems using simple and efficient techniques to the team
I built complex Hard Surface models
Then I handled the lighting and look development to make them as photorealistic as possible

- - - - -

| Software |
Blender - Gimp - Inkscape

- - - - -

3D Artist | CG Generalist | Environment Artist | Modeler ( Modeller ) | HardSurface ( Hard Surface ) | Texture Artist

| Lead | Salesperson | Management | Communication | Attentive |

I sold primarily computers and IT equipment
Communication was essential
I should be an excellent listener to give good advice
During this experience, I supervised a team of three

| Responsive | Communication | Teamworking |

| Lead | Manager | Communication | Teamworking | Responsive | Attentive |

Home health aide supporting people with disabilities

The stakes were very high in terms of life and death, so it was a lot of responsibility
I had to be observant and patient, and a good listener
Teamwork and communication were essential

I coordinated the team around each patient’s needs, organizing activities, care and meetings with other healthcare professionals